Topical Bibliography
Knopf, C.M. (forthcoming 2026). The United Nations Decade for (Wonder) Women: Wonder Woman, the U.N., and women’s liberation. In A. Potter, N.J. Swain & C. Skibinski (Eds.), Classical receptions and impact of Wonder Woman in comics and film (ch. 10). Bloomsbury.
🐭animation
🎪circus studies
🎨comics studies
📫epistolary
🎬film/TV
🎲games
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👻hauntings/horror/monstrosities
🤡humor
📱media/digital media/news media
🧠public memory/nostalgia
🎸music
🧭place/space
🗽political communication
🕯️religions/spirituality/faith
👽science-fiction/speculative fiction
🦸superheroes
🪖war/military/civil-military
Knopf, C.M. (forthcoming 2026). The shield or the skull: The civil-military gap, the militarized superhero, and veteran stereotypes in American myth and memory. In L. Piatti-Farnell & C. Wilson (Eds.), The Routledge companion to superhero studies (pp. 454-463). Routledge
🐭animation
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🧠public memory/nostalgia
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Knopf, C.M. (2026). The debutante vigilante: Lady Luck, a model for world war womanhood. In G. Bray and A.J. Ball (Eds.), Women vigilantes and outlaws in American popular media: Who was that masked woman? (pp. 111-128). Routledge.
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Knopf, C.M. (2024). The true meaning of fearless: Feminism in Fearless and the Marvel Universe. In D. Brode (Ed.), Analyzing the Marvel Universe: Critical essays on the comics and film adaptations (pp. 100-8). McFarland & Co.
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Knopf, C.M. (2024, Sep 16). "We are no longer connected, Jean": The alienation of X-women '97. In Media Res, X-Men ’97 Week.
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Knopf, C.M. (2024). Review - Dead Funny: The Humor of American Horror, David Gillota (Rutgers University Press). Studies in American Humor, 10(1), 146-149.
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Knopf, C.M. (2024). Black and white death: Memories of violence in the Great War. In J. Davis-McElligatt & J. Coby (Eds.), BOOM! Splat!: Comics and violence (pp. 32-43). University Press of Mississippi.
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Knopf, C.M. (2023). Review - Drawing Liberalism: Herblock’s Political Cartoons in Postwar America, Simon Appleford (University of Virginia Press). International Journal of Comic Art, 25(10), 593-596.
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Knopf, C.M. (nd). Political cartoons and comics bibliography. Graphic Possibilities, Michigan State University.
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Knopf, C.M. (2023). Militant earth mother: Viewing Poison Ivy as an ecofeminist rather than as an ecoterrorist. In J. Martin & M. Favaro (Eds.), Batman’s villains and villainesses: Multidisciplinary perspectives on Arkham’s souls (pp. 201-214). Lexington Books.
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Knopf, C.M. (2023). The Loner on the “frontier of unfilled hopes and threats”: Serling’s old West in Kennedy’s new frontier. In D. Picariello (Ed.), The Western and political thought: A fistful of politics (pp. 105-120). Palgrave Macmillan.
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Knopf, C.M. (2023). The pirate, the queen, and the handkerchief: Gráinne Mhaol, an Irishwoman among men. In H.E.H. Earle & M. Lund (Eds.), Identity and history in non-Anglophone comics (pp. 220-236). Routledge.
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Knopf, C.M. (2023). Familiarity is the path to the Dark Side: Domesticating political problems with Star Wars. Unbound: A Journal of Digital Scholarship, 3(1), 24-31.
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Knopf, C.M. (2023, Apr 10). Anger and fear and feminism. In Media Res, Quantumania, the Multiverse, and the State of the MCU Week.
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Knopf, C.M. (2023). The politics of inversion in Americatown: Limits of public pedagogy. For R. Kauranen, O. Löytty, A. Nikkilä, & A. Vuorinne (Eds.), Comics and migration: Practices and representation (pp. 167-178). Routledge.
🐭animation
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Knopf, C.M. (2023). Cthulhoo-Dooby-Doo!: The re-animation of Lovecraft (and racism) through subcultural capital. In T. Lanzendörfer & M.J. Dreysse Passos de Cavalho (Eds.), The medial afterlives of H.P. Lovecraft: Comic, film, podcast, TV, games (pp. 159-172). Palgrave Macmillan.
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Knopf, C.M. (2023). Shark storms: Syfy’s splasher and splashstick films. In J. Wigard & M. Ploskonka (Eds.), Attack of the new B movies: Essays on SYFY original films (pp. 113-130). McFarland & Co.
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Knopf, C.M. (2023). Heterotopia and horror at Show's End. In J. Darowski & F.G.P. Berns (Eds.), Critical approaches to horror comic books: Red ink in the gutter (pp. 223-234). Routledge.
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Knopf, C.M. (2022). “Fear of faith” and faith over fear: Scarecrow as emblem of a purgatorial Gotham. In M.W. Brake & C.K. Robertson (Eds.), Theology and Batman: Examining the religious world of the Dark Knight (pp. 69-79). Lexington.
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Knopf, C.M. (2022). Caped crusaders and cartoon crossovers: A nostalgic look “Beyond” DC superheroes. In D. Brode (Ed.), The DC comics universe: Critical essays (pp. 349-362). McFarland & Co.
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Knopf, C.M. (2022, Feb 14). Joker, jesters, and gender: Subverting social standards. In Media Res, Transmedia Joker Week.
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Knopf, C.M. (2022). Review - The Great Illustrators of Edgar Allan Poe, Tony Magistrale & Jessica Slayton (Anthem Press). Edgar Allan Poe Review, 23(1), 79-82.
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Knopf, C.M. (2022). AfterShock’s Rough Riders and the reification of race reimagined. In M. Goodrum, D. Hall, & P. Smith (Eds.), Drawing the past, Vol. 1: Comics and the historical imagination in the United States (pp. 212-27). University Press of Mississippi.
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Knopf, C.M. (2021). The Democratic primary debates in political cartoons, or Santa Claus gets voted off Fantasy Island. In R. Denton, Jr. (Ed.), Studies of communication in the 2020 presidential campaign (pp. 83-104). Lexington.
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Knopf, C.M. (2021). Superman, a super freak: Returning the Man of Steel to the circus in DC Bombshells. In J. Darowski (Ed.), Adapting Superman: Essays on the transmedia Man of Steel (pp. 207-15). McFarland.
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Knopf, C.M. (2021). “Like his dad”: Epistolic constructions of American children in World War II. Home Front Studies, 1(1), 59-83.
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Knopf, C.M. (2021). Politics in the gutters: American politicians & elections in comic book media. University Press of Mississippi.
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Knopf, C.M. (2020). Back chat: Subversion and conformity in dominion cartoons of the World Wars. In T. Tuleja (Ed.), Different drummers: Military discipline and its discontents (pp. 32-47). The University Press of Colorado/Utah State University Press.
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Knopf, C.M. (2020). Bill Mauldin’s legacy in military cartooning. In T. DePastino (Ed.), Drawing fire: The editorial cartoons of Bill Mauldin (pp. 87-103). Pritzker Military Museum & Library.
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Knopf, C.M. (2020). The American nightmare: Graveyard voters, demon sheep, devil women, and lizard people. In D. Picariello (Ed.), The politics of horror (pp. 3-16). Palgrave Macmillan.
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Knopf, C.M. (2020). UFO (unusual female other) sightings in Saucer Country/State: Metaphors of identity and presidential politics. In S. Langsdale & E. Coody (Eds.), Monstrous women in comics (pp. 257-73). University Press of Mississippi.
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Knopf, C.M. (2020, Apr 15). Menacing and maternal: The limits of motherhood in Spider-Man. In Media Res, Spider-Man Week.
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Knopf, C.M. (2019). War is hell: The (super)nature of war in the works of Mike Mignola. In S.G. Hammond (Ed.), The Mignolaverse: Hellboy and the comics art of Mike Mignola (pp. 144-155). Sequart Organization.
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Knopf, C.M. (2019). “Carrie Fisher sent me”: Princess Leia as an avatar of resistance in the Women’s March(es). Unbound: A Journal of Digital Scholarship, 1(1).
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Knopf, C.M. (2019, Oct 14). The new nostalgic impulse of Dungeons & Dragons and tabletop gaming. In Media Res, Tabletop Gaming Week.
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Knopf, C.M. (2019). Politics as “the sum of everything you fear”: Scarecrow as phobia entrepreneur. In D. Picariello (Ed.), Politics in Gotham: The Batman universe and political thought (pp. 159-176). Palgrave Macmillan.
🐭animation
🎪circus studies
🎨comics studies
📫epistolary
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🎲games
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👻hauntings/horror/monstrosities
🤡humor
📱media/digital media/news media
🧠public memory/nostalgia
🎸music
🧭place/space
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🦸superheroes
🪖war/military/civil-military
Knopf, C.M. (2019). Review - Memories from the Frontline: Memoirs and Meanings of the Great War from Britain, France and Germany, Jerry Palmer (Palgrave). European Journal of Communication, 39(1), 100-103.
🐭animation
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🧠public memory/nostalgia
🎸music
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Knopf, C.M. (2019, Sep 16). Queer female Superheroes: DC Comics Bombshells tell their own story. FLOW: A Critical Forum on Media and Culture, 26(1) “New Faces, New Voices, New Bodies.”
🐭animation
🎪circus studies
🎨comics studies
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🧠public memory/nostalgia
🎸music
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Knopf, C.M. (2018). Queen of burlesque: The subtle (as a hammer) satire of Bomb Queen. In M. Goodrum, T. Prescott, & P. Smith (Eds.), Gender and the superhero narrative (pp. 101-123). University Press of Mississippi.
🐭animation
🎪circus studies
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📫epistolary
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🧠public memory/nostalgia
🎸music
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🪖war/military/civil-military
Knopf, C.M. (2018). Sinne fianna fáil: Women, Irish rebellions, and the graphic novels of Gerry Hunt. In N. Tal & T. Prorokova (Eds.), Cultures of war in graphic novels: Violence, trauma, and memory (pp. 123-37). Rutgers University Press.
🐭animation
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Knopf, C.M. (2018). Marvel’s Shamrock: Haunted heroine, working woman, guardian of the galaxy. In M. DiPaolo (Ed.), Working class comic book heroes: Class conflict and populist politics in comics (pp. 206-225). University Press of Mississippi.
🐭animation
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Knopf, C.M. (2018). Review - The Phantom Unmasked: America’s First Superhero, Kevin Patrick (University of Iowa). Communication Booknotes Quarterly, 49(3), 82-84.
🐭animation
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Knopf, C.M. (2018, Jun 11). BrainDead : The horrors of election 2016. In Media Res, Politics & Horror Week.
🐭animation
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Knopf, C.M. (2017). Julie M. Anderson. In S.C. Howard (Ed.), Encyclopedia of black comics (p. 3). Fulcrum Publishing.
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Knopf, C.M. (2017). Shauna Grant. In S.C. Howard (Ed.), Encyclopedia of black comics (p. 86). Fulcrum Publishing.
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Knopf, C.M. (2017). Vernon Grant. In S.C. Howard (Ed.), Encyclopedia of black comics (p. 89). Fulcrum Publishing.
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Knopf, C.M. (2017). Jimmie Lee Robinson. In S.C. Howard (Ed.), Encyclopedia of black comics (p. 181). Fulcrum Publishing.
🐭animation
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Knopf, C.M. (2016). “Hey, soldier! - Your slip is showing!”: Militarism vs. femininity in WWII comic pages and books. In J. Kimble & T. Goodnow (Eds.), The 10 cent war: Comic books, propaganda, and World War II (pp. 26-45). University Press of Mississippi.
🐭animation
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Knopf, C.M. (2016). Zany zombies, grinning ghosts, silly scientists, and nasty Nazis: Comedy-horror at the threshold of World War II. In C.J. Miller & A.B. VanRiper (Eds.), The laughing dead: The comedy-horror film from Bride of Frankenstein to Zombieland (pp. 25-38). Rowman & Littlefield.
🐭animation
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Knopf, C.M. & Doran, C.M. (2016). PTXD: Gendered narratives of combat, trauma, and the civil-military divide. In C. Bucciferro (Ed.), The X-Men films: A cultural analysis (pp. 61-73). Rowman & Littlefield.
🐭animation
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Knopf, C.M. (2015). The U.N.dead: Cold War ghosts in Carol for another Christmas. In C.J. Miller & A.B. Van Riper (Eds.), Horrors of war: The undead on the battlefield (pp. 136-153). Rowman & Littlefield.
🐭animation
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Knopf, C.M. (2015). The comic art of war: A critical study of military cartoons, 1805-2014, with a guide to artists. McFarland & Co.
🐭animation
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Knopf, C.M. (2014). Sense-making and map-making: War letters as personal geographies. NANO, 6/Cartography & Narrative.
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Knopf, C.M. (2012). Relational dialectics in the civil-military relationship: Lessons from veterans’ transition narratives. Political & Military Sociology: An Annual Review, 40, 171-192.
🐭animation
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Knopf, C.M. & Ziegelmayer, E.J. (2012). Fourth generation warfare & the US military’s social media strategy: Promoting the academic conversation. Air & Space Power Journal – Africa & Francophonie, Q4, 3-22.
🐭animation
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Knopf, C.M. (2011). Those who bear the heaviest burden: War and American exceptionalism in the age of entitlement. In J. Edwards & D. Weiss (Eds.), The rhetoric of American exceptionalism: Critical essays (pp. 171-188). McFarland & Co.
🐭animation
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Knopf, C.M. (2010). Al Gore’s rational faith and unreasonable religion. In D. Weiss (Ed.), What Democrats talk about when they talk about God: Religious communication in Democratic party politics (pp. 93-113). Lexington Books.
🐭animation
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Knopf, C.M. (2006). Review - Presidents in Culture: The Meaning of Presidential Communication, David Michael Ryfe (Peter Lang). PUBLIZISTIK – Vierteljahreshefte fuer Kommunikationsforschung, 3, 396-397.
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