PROGRESS

UNDER CONTRACT

• The Scarecrow of Gotham City: Fiend of phobias, token of terror (University Press of Mississippi)

• Scarecrow’s straw man politics: Living in the “Fear State” of the post-truth era

​IN DEVELOPMENT WITH EDITORS

• In human(e) remains: War-horror comics and U.S. public memory

• Smoke & mirrors: Haunted history, terror tourism, and Casper culture in the ashes of New York’s Burned-Over District

• From Harpy to Red She-Hulk: Betty Ross, emotional labour, and feminist strength

• Spider-Man's adventures underground with the White Rabbit

• Venom-ous heroes: The paradox of the antihero protagonist

• Playing the blues in other colors: Graphic narrative as Bob Dylan cover tunes

• Spin masters: Spider-Man, J. Jonah Jameson, the press and the public good​

• Black is the new orange: Anna Diop, Starfire, and adapting comics in living color

• “I never saw such rotten crap in my life!”: TranSLAYtions of Creepshow

• “I’m the only one of us who can’t fly”: The super moms, supers’ moms, and supermoms of Invincible

• Superman’s Pal, Jimmy Olsen on the Edge of fact and faith

• Building resistance: Agency and LEGO Star Wars: The Freemaker Adventures

• Eight for heaven, nine for hell: Ornithomancy, folk spirituality, and The Birds

• Meme as environment, movement as climate:  The Trump indictment events in the political anthropocene

•  “It will soon see the end of the rebellion”: The Vader icon and anti-imperialist protesters in the United States

• Crafting iMAGEs: Oral traditions, charm books, and Alan Moore’s graphic grimoire