PROGRESS

UNDER CONTRACT

• So you think you know… Scarecrow? (University Press of Mississippi)

• Scarecrow’s straw man politics: Living in the “Fear State” of the post-truth era

• ​The United Nations Decade for (Wonder) Women: Wonder Woman, the U.N., and women’s liberation

• The shield or the skull: The civil-military gap, the militarized superhero, and veteran stereotypes in American myth and memory

• Bombs & bombshells, aluminium & Lace: Milton Caniff at the intersection of illustration & insignia in World War II

​IN DEVELOPMENT WITH EDITORS

• Phantoms, fangs, & fatigues: War-horror comics and U.S. public memory

• Revolutionary revenants: Raising the spirits of the marginalized in New York's haunted history

• Mother Goddesses and the incarnation, passion, and resurrection of Spider-Man: The transformative nature of Shriek, Shathra, and Ero

• Profaning the sacred: Religious sites as political metaphors in 007

• The divine Comedian: The Kennedys, conflict, and confession

• Spider-Man's adventures underground with the White Rabbit

• Venom-ous heroes: The paradox of the antihero protagonist

• Playing the blues in other colors: Graphic narrative as Bob Dylan cover tunes

• Letters of life, Lace, and love: Milton Caniff’s readers in World War II

• Spin masters: Spider-Man, J. Jonah Jameson, the press and the public good​

• Black is the new orange: Anna Diop as Starfire in Titans

• “I never saw such rotten crap in my life!”: The frames and panels of Creepshow