Battlefiends
War-Horror Comics
& Collective Memory
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Lorem ipsum pulvinar neque laoreet suspendisse interdum consectetur libero id faucibus nisl tincidunt eget nullam non nisi est sit amet facilisis magna etiam tempor orci eu lobortis elementum nibh tellus molestie nunc non blandit massa enim nec dui nunc mattis enim ut tellus elementum sagittis vitae et leo duis ut diam quam.
Other Horror Publications
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Knopf, C.M. (2023). Shark storms: Syfy’s splasher and splashstick films. In J. Wigard & M. Ploskonka (Eds.), Attack of the new B movies: Essays on SYFY original films, pp. 113-130. Jefferson, NC: McFarland & Co.
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Knopf, C.M. (2023). Cthulhoo-Dooby-Doo!: The re-animation of Lovecraft (and racism) through subcultural capital. In T. Lanzendörfer & M.J. Dreysse Passos de Cavalho (Eds.), The medial afterlives of H.P. Lovecraft: Comic, film, podcast, TV, games, pp. 159-172. Palgrave Macmillan.
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Knopf, C.M. (2022). Heterotopia and horror at Show’s End. In J. Darowski & F.G.P. Berns (Eds.), Critical approaches to horror comic books: Red ink in the gutter, pp. 223-234. New York: Routledge.
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Knopf, C.M. (2020). The American nightmare: Graveyard voters, demon sheep, devil women, and lizard people. D. Picariello, ed. The politics of horror, pp. 3-16. New York: Palgrave Macmillan.
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Knopf, C.M. (2020). UFO (unusual female other) sightings in Saucer Country/State: Metaphors of identity and presidential politics. In S. Langsdale & E. Coody (Eds.), Monstrous women in comics, pp. 257-273. Jackson, MS: University Press of Mississippi.
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Knopf, C.M. (2019). Politics as “the sum of everything you fear”: Scarecrow as phobia entrepreneur. In D. Picariello (Ed.), Politics in Gotham: The Batman universe and political thought, pp. 159-176. New York: Palgrave Macmillan.
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Knopf, C.M. (2019). War is hell: The (super)nature of war in the works of Mike Mignola. In S.G. Hammond (Ed.), The Mignolaverse: Hellboy and the comics art of Mike Mignola, pp. 144-155. Edwardsville, IL: Sequart Organization.
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Knopf, C.M. (2018). Marvel’s Shamrock: Haunted heroine, working woman, guardian of the galaxy. In M. DiPaolo (Ed.), Working class comic book heroes: Class conflict and populist politics in comics, pp. 206-225. Jackson MS: University Press of Mississippi.
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Knopf, C.M. (2018, Jun 11). BrainDead: The horrors of election 2016. In Media Res, Politics & Horror Week.
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Knopf, C.M. (2016). Zany zombies, grinning ghosts, silly scientists, and nasty Nazis: Comedy-horror at the threshold of World War II. In C.J. Miller & A.B. VanRiper (Eds.), The laughing dead: The comedy-horror film from Bride of Frankenstein to Zombieland, pp. 25-38. Lanham, MD: Rowman & Littlefield.
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Knopf, C.M. (2015). The U.N.dead: Cold War ghosts in Carol for another Christmas. In C.J. Miller & A.B. Van Riper (Eds.), Horrors of war: The undead on the battlefield, pp. 136-53. Lanham, MD: Rowman & Littlefield.
Other Military/War Publications
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Knopf, C.M. (2024). Black and white death: Memories of violence in the Great War. In J. Davis-McElligatt & J. Coby (Eds.), BOOM! Splat!: Comics and violence. Jackson, MS: University Press of Mississippi.
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Knopf, C.M. (2021). “Like his dad”: Epistolic constructions of American children in World War II. Home Front Studies, 1(1), 59-83.
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Knopf, C.M. (2020). Back chat: Subversion and conformity in dominion cartoons of the World Wars. In T. Tuleja (Ed.), Different drummers: Military discipline and its discontents, pp. 32-47. The University Press of Colorado/Utah State University Press.
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Knopf, C.M. (2020). Bill Mauldin’s legacy in military cartooning. In T. DePastino (Ed.), Drawing fire: The editorial cartoons of Bill Mauldin, pp. 87-103. Chicago, IL: Pritzker Military Museum & Library.
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​Knopf, C.M. (2018). Sinne fianna fáil: Women, Irish rebellions, and the graphic novels of Gerry Hunt. In N. Tal & T. Prorokova (Eds.), Cultures of war in graphic novels: Violence, trauma, and memory, pp. 123-137. New Brunswick, NJ: Rutgers University Press.
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Knopf, C.M. (2017). “Hey, soldier! - Your slip is showing!”: Militarism vs. femininity in WWII comic pages and books. In J. Kimble & T. Goodnow (Eds.), The 10 cent war: Comic books, propaganda, and World War II, pp. 26-45. Jackson, MS: University Press of Mississippi.
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Knopf, C.M. & Doran, C.M. (2016). PTXD: Gendered narratives of combat, trauma, and the civil-military divide. In C. Bucciferro (Ed.), The X-Men films: A cultural analysis, pp. 61-73. Lanham, MD: Rowman & Littlefield.
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Knopf, C.M. (2015). The comic art of war: A critical study of military cartoons, 1805-2014, with a guide to artists. Jefferson, NC: McFarland.
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Knopf, C.M. (2014). Sense-making and map-making: War letters as personal geographies. NANO , 6/Cartography & Narrative.
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Knopf, C.M. (2012). Relational dialectics in the civil-military relationship: Lessons from veterans’ transition narratives. Political & Military Sociology: An Annual Review, 40, 171-192.
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Knopf, C.M. & Ziegelmayer, E.J. (2012). Fourth generation warfare & the US military’s social media strategy: Promoting the academic conversation. Air & Space Power Journal – Africa & Francophonie, Q4: 3-22.
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Knopf, C.M. (2011). Those who bear the heaviest burden: War and American exceptionalism in the age of entitlement. In J. Edwards & D. Weiss (Eds.), The rhetoric of American exceptionalism: Critical essays, pp. 171-88. Jefferson, NC: McFarland.
